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Friday, February 29, 2008
 

Adrian Tomine in Providence Tonight


Posted by Tom Devlin at 4:34 PM
 

A little more Doug Wright

Here's my promised followup to my previous Doug Wright post. A few interior page layouts and notes.






{ I know, you totally want to read those notes. You're gonna have to wait. Pictured above: spine graphics and some early text pages. Those sheets stapled in the upper left corner are Seth's copious typewritten notes.}

Posted by Tom Devlin at 4:26 PM
 

Find D + Q on Facebook!

Become a virtual friend of Drawn and Quarterly on the popular social networking site "Facebook." Click the link below to be directed to our page and find out about upcoming events, promotions and new releases!




Posted by Jessica Campbell at 11:15 AM
Wednesday, February 27, 2008
 

Adrian at the Brattle Theater in Cambridge


Thursday night, Adrian's at the Brattle Theater in Cambridge, sponsored by the Harvard Bookstore. Last night, he addressed a SRO crowd at the Librairie Drawn and Quarterly.

It was the first time I had seen Adrian's slide show for Shortcomings. All I can say is, do not miss this slide show. I know, I know, I'm his publicist, but the slide show is charming, funny, reflective, and self-critical. It provides a stripped-down view into his process as an artist--from the way he constructs a page to how he tries to learn from his critics, peers, heroes and himself.

He also gives a special shout-out to Marcie of Peanuts. Why? Well, you'll just have to catch him in Cambridge, Providence, or DC to find out.

Posted by Peggy Burns at 8:44 PM
Tuesday, February 26, 2008
 

Last "Gentle" Reminder For Montreal


Blogs like this one, the weeklies The Hour and Montreal Mirror, the McGill Daily, are all excited for Adrian's event tonight at the Librairie Drawn & Quarterly, which I believe is Adrian's first event in Montreal...I'll have to double check with the Chief. Event starts at 7: 00 PM, 211 Bernard Ouest.

On Thursday, Adrian is in Cambridge at the Brattle Theater sponsored by Harvard Bookstore, on Friday in Providence at the RISD Auditorium sponsored by the RISD depts of Illustration and Continuing Ed, and next Wednesday March 5th in Washington DC at Politics & Prose. Don't miss his slide show, and I feel reasonably confident in stating that unless there is a festival in his backyard, these are his last appearances for awhile.



Also, here is Adrian's cover, Shelf Life from last week's New Yorker at a much better resolution.

Posted by Peggy Burns at 7:36 AM
Monday, February 25, 2008
 

Doug Wright (Seth's Design Notes)

I'm checking in the artwork and design mock-ups and notes that Seth sent in for the Doug Wright book and it is truly astonishing. If you haven't ever seen how he does it, it's extensive and detailed and a work of art in itself (I think COMIC ART magazine showed some examples of Seth's mock-ups.)

Here's a peek at the mock-up book (with home-made storage box). Seth takes an exisiting book and pastes in pages and cuts it up and does loose re-drawings of what will actually go in later. I'll post some of the layouts and notes later this week.










Posted by Tom Devlin at 10:58 AM
Friday, February 22, 2008
 

Fire Away launch tonight!




For all you late night D+Q blog checkers, the Fire Away book launch in Vancouver is tonight at Lucky's Comics, 3972 Main St.

Posted by Jessica Campbell at 6:45 PM
Tuesday, February 19, 2008
 

James Sturm on Inkstuds

The comics radio-show that brings you extensive interviews with all your favorites... listen to the latest, with James Sturm, here.

Posted by Jamie Q at 6:08 PM
 

My Favorite Day of the Week


Posted by Peggy Burns at 4:06 PM
 

Listen to your Mother, Vanessa. (Or don't read this, Heidi.)




Posted by Tom Devlin at 3:25 PM
 

Albert in Entertainment Weekly

Guy Delisle's playful "Petit Livre" gets a B+ in EW


Posted by Jamie Q at 1:36 PM
 

Writing the Unthinkable in San Francisco

Lynda Barry is offering her amazing incredible workshop in none-other than SAN FRANCISCO.. Only 50 students admitted! Saturday and Sunday, March 22nd and 23rd, 2008. Tuition is $300 for this action-packed two-day class in foxy San Francisco! More details on our events page.

Posted by Jamie Q at 12:14 PM
 

Original Ron Rege Art For $50?!?!


Enter the Cartoon Utopia.

Posted by Peggy Burns at 8:00 AM
Monday, February 18, 2008
 

Events in Vancouver, NYC and Toronto

This Friday, February 22nd, 7:00 PM, Chris von Szombathy launches Fire Away at Lucky's, 3972 Main Street, Vancouver, BC. In stores now.

Philippe Dupuy and Charles Berberian's visit to NYC is less than 3 weeks away: mark your calendars for Wednesday, March 5th, 7:00PM. Words Without Borders and D+Q present "The Global Graphic Novel: Straight Out of Angouleme," [Grand Prix winners!] Q+A and signing, and launching Dupuy's new book, Haunted, at Housing Works Cafe, 126 Crosby Street, NYC. In stores everywhere by March 18th, but available online from D+Q likely sometime this week. Their D+Q book Get a Life was just recommended by Comics Worth Reading.

And Saturday, March 15th, 5:00 PM, Michel Rabagliati does a Q+A, slide show, and signing at the Toronto Public Library, Lillian H. Smith Building, downstairs auditorium, 239 College Street. His new book, Paul Goes Fishing is available from D+Q online and will be in stores everywhere by March 18th.

Posted by Jamie Q at 11:59 AM
 

Adrian Covers the New Yorker: East Coast Mini-Tour Starts Next Week


Adrian provides the cover art, titled Shelf Life, to this week's New Yorker.

Next week, Adrian hits the road again traveling to Montreal on Tuesday the 26th, Cambridge on Thursday the 28th, and Providence on Friday the 29th, with a stop in DC the next week. At all stops, Adrian will be presenting his slide show, doing a Q+A and signing.

Posted by Peggy Burns at 11:40 AM
Wednesday, February 13, 2008
 

My Favorite Day of the Week


Posted by Peggy Burns at 9:06 AM
Tuesday, February 12, 2008
 

More Adrian...


Just a week or so ago, Chris blogged Julie's website, and now I am blogging with similar news, Adrian has launched a website that features his latest original art for sale and his illustration work.

Posted by Peggy Burns at 10:55 AM
 

Attn. All Boston Fans



Adrian will be presenting his slide show at the Brattle Theater in Cambridge, MA on Thursday the 28th at 6 PM, sponsored by the Harvard Bookstore, he'll also be answering questions and signing books. Tickets cost $5, and when you buy a ticket then you get $5 off Shortcomings.

And to make the evening even more special, the Brattle asked Adrian to select and introduce a movie following his event that at night. So Adrian will be introducing the classic Killer of Sheep which was recently restored. Movie ticket + Shortcomings ticket is $15, and you still get $5 off Shortcomings.

Posted by Peggy Burns at 8:52 AM
Monday, February 11, 2008
 

Like it



Snufkin!

Moominpappa!

Moomin!

Posted by Tom Devlin at 10:29 PM
Saturday, February 09, 2008
 

Hometown Love

Today's Books section in The Montreal Gazette is all about comics, with a cover that features 365 Days art and a corresponding review inside, along with a review of Exit Wounds and an interview with Joe Sacco for the deluxe Palestine.

Posted by Peggy Burns at 4:36 PM
Friday, February 08, 2008
 

R. Crumb? I'd let him spit on me!

Or, An Interview With Chris von Szombathy

The Fire Away book launch in Vancouver at Lucky's Comics, 3972 Main St, February 22nd.

Chris Von Szombathy is a Vancouver based artist whose book Fire Away was released by D+Q in late 2007. The book is a collection of paintings, illustrations and sculptural works that invoke a sense of dreams and nostalgia. Oscillating from extremely graphic, decorative patterns to naturalistic, nearly realist representations of junk foods to painted shoe-stretchers (among other things), Fire Away remains cohesive through its saturated palette and its paralleling of dream logic. A musician as well as a visual artist, von Szombathy cites influences as seemingly disparate as Piet Mondrian, Ralph Goings, R. Crumb, Bach and Kraftwerk.

Von Szombathy has recently been profiled by the website Fecal Face, CBC Radio 3 and the Vancouver Province.

This interview was conducted by D+Q controller Jamie Salomon in February 2008.






Now, I have a bit of a problem here is that I can't really articulate what the art in Fire Away looks like to people when I'm trying to shove it down their throats. The back-cover copy barely begins to get into what happens between the covers. Superlatives, simile, and metaphor rapidly fail me. So please bear with me and excuse my inability to deploy the proper lexicon here.

There are several distinct strains running through Fire Away; the easiest for me to label are the painted shoe-stretchers. The majority of the book has "cartoony" figures, often with these, and here's where I run into trouble, fractal-like curly swirling (when trying to describe this in conversation I mainly have recourse to accompanying my finger-wriggling hand gestures with verbal sound effects that sound like roodooloolooloo). There are also some pages of line drawings, mostly in black-and-white, as well as more three-dimensional, um, things, like one of these bad boys (I'm thinking here of these two facing images of white ceramic-deals with faces painted on them). Then there are the pages with text in combination with some of what I've tried to identify above. There's another graphic element that crops up repeatedly in the course of the book, these... matrices, sometimes with cartoony faces superimposed on the vertices. There's also small relatively straightforward paintings worked into the composition with some of the other elements in this graphic stew. And, as I keep going back to it to, even more kinds of pictures, both two-dimensional and physical objects that await the lucky reader who has yet to unleash this book upon themselves. Since this isn't a question, I was wondering if you could comment on these various kinds of pictures running through Fire Away, and how they relate to each other.


This is a good question for me and does require some thought for sure. I'm not super sure how the different images relate in a totality other than, you know, I guess I made them! Sometimes it's a function of time... I can see progressions in how I work... change of medium or something like that. I feel it's the same with sounds. You have some kind of vague timbre or feeling that you're trying to achieve and, hopefully, if you're able to make it "real," it will somehow help you gain some kind of clarity! It's funny because looking at the book the other day I realized which things have continued and which haven't. The swirling bits have kind of vanished for example. Generally, when I start working I just… look at the paper and there it is. Either that or it came in a dream. I work a lot from dreams and visions. Sometimes there's just no reasoning with it either. I AM happy though that perhaps it defies some clear category of what it is. Hopefully it's enjoyable.

As far as regular questions go, first of all, almost all I know about you is that, according to some D+Q promotional copy, you live in Vancouver, do graphic design and make music. Can you fill in some basic biographical data? I think you're 27.

I am indeed 27 as of this writing. I'm turning (gasp!) 28 in March. The rest is right. I don't really do much graphic design stuff these days however. It would drive me crazy probably.

Did you study art formally?

I did. Kinda. I went to art school after high school for 4 years and kind of just disappeared and never went back. I don't know if I could really say I "studied" much there. I spent most of my time drawing in my books and wondering what the heck I was doing. In truth, for me, art schooling is kind of an amorphous environment and I'm still not sure how I feel about it. There was certainly no other place for me to go.




Who are some artists, both visual and musical, that you feel an affinity with?

Well, visually (and sonically) there are lots of various artists I really like. On the "fine arhhhts" side, growing up I really liked (and still do) folks like Mondrian and Morris Louis, really flat artwork! I'm still pre-occupied with "flatness" in my own work... the elimination of the majority of brushstrokes. I'm big on craftsmanship and cleanliness. I think that type of "plasticity" really attracts me in both sound and visuals. I think visually I have been more influenced by objects and certain "non-art" things. I have a rather large collection of various goods like old toys, packaging, soda cans. I'm actually quite proud of it! Some artists who I'm really into these days are the realists like Ralph Goings and Richard Estes. Amazing technicians!!! I also love people like Augustin Lesage and August Walla. I do feel very close to those "outsider artists." I know it's all the rage these days, this "outsider art," but I can't help it. I feel very close to some of these people, much more so than the peers I had at school who seemed so topical and heavy all the while making these monstrosities. I just couldn't relate! I like work that makes me wonder what drives the person... such personal dedication to ones own singular vision, beyond all else! It's really so rare! Why can't more people do that? Some of my good friends who are artists are like that and I really admire them, just the attention to detail and the promise that what they're doing is really worth it. Every sacrifice!!! I'm not sure I have it in me.

On the musical side I like a bit of everything. Due to my parents, I grew up on classical and surf music. I like a lot of found music and amateur music, promotional records and novelty songs. But if I'm going to be lost on a desert island and can only bring a couple records with me it's going to be Kraftwerk, The Mothers of Invention, Bach, Eric Dolphy, [Brian] Eno and Y.M.O.

How's that for a rambling ridiculous answer?

Do you have an artist's statement that differs from the copy on the back of Fire Away?

Maybe? I'm not sure! I'm not good at the ol' artist statement really. I'd like to think that people will just enjoy (or not enjoy) what it is. I like the statement on the back of the book. It's pretty heavy duty!!! I think the best work is well crafted, simple and bold. I don't know if I accomplished that but that's what I'm going for anyhow.

Besides certain common visual ancestors, do you have any connection to comics?

I drew comics growing up. I still have them. I never really read too many comics as a kid. I knew I LIKED them but I couldn't really get into the superheroes and whatnot. I did read tons of Garfield and Archie however, and both have some great periods. In fact, I STILL read Garfield and collect one certain Garfield PEZ dispenser with mad fervor. His expression on this one, it's just absolutely perfect. I used to find tons of hidden meanings in Archie comics, and I believe they're still there. Seriously, you’ve got to leaf through them! Chester Gould was BIG for me. I love everything up to the end of World War II. Dick Tracy was/is just a perfect serial comic to me. Norm Saunders was a pulp artist who did all of the original 'wacky packages' (of which I have a LOT of as well) and I love his work. Still do. That was probably more of influence on me than comics really... like Dennis the Menace on the Dairy Queen cups. Very attractive to me. Something about the "object"... like this early thought that you could take "an object" and apply yourself to it. I love comics but I can't write them. I have no attention span and can never come up with a character I'd love enough to use over and over again. Not yet at least. I like the whole Crumb family's work... I mean... gosh! R. Crumb!!! I'd let him spit on me! I love Carl Barks too... Jack Davis… Old Japanese stuff. But mostly advertising and "pulp" work.






What do you mean by "totally square creative concern" at the top of your C.V.?

Totally square... I guess it's a "professional moniker" to use to cover all of the audio/visual stuff I do. I love how Japanese industries are called "concerns" and so I used that. It makes sense to me... I am my own industry... and I'm concerned with it... so it's a concern! It's just for fun but it does give a little common thread running through everything. Square, as my dad pointed out, could mean "lame" in the olden slang. That's fine with me. It's more fun than being a hip daddy-o.

Over what period of time did you create the work in Fire Away?

Most of it was done in about 8 months. One of the drawings, the circle with the hotdog, was done in 2000 or so. The sculptures mostly were done in… 2005-2006 I think. Some of them were newer. One that I know is newer is the eagle/tooth. That's my wisdom tooth so I know it happened after it came out!

What was the context for the work originally?

There's no really context for it really truth be told! Some of it was done for my first solo show in 2006 at this, now defunct, gallery called WRKS DVSN. But most of it was made just for them; I'm glad they look good together. I'm with no gallery or anything, so I'm interested in books and making something in which you can see everything back to back to back and so forth. Some pieces work well next to one another. Some look better on their own. I love books though. They way they smell, the way they age. So a lot was made with a book in mind, as one unit!

Also, and this is the one thing nobody will tell me: how did you connect with Drawn and Quarterly in the first place?

Can you believe I sent them a CD-R??? I know. It's really crazy. Like I said, I'm still not sure I believe it myself!





Can you tell me a bit about how the book was put together? Like, who chose the order of everything and put the thing together?

Sure can! Ahh... I actually did it myself and wrote it down and sent it off. It actually didn't take too long. It just kind of formed itself, a couple of edits and it was off! I just thought "I want this to be really packed full!" which I think it is! (Incidentally, there is ONE image that was totally cropped wrong and looks nothing like the full picture. I have no idea how that happened but it still looks great!)



What can you tell me about this "non-linear" graphic novel that's mentioned in our promotional copy? Says here that it's about "other time dimensions, angels, demons, people, animals, other spiritual entities and instructions on the nostalgic meditation method." Anything you'd care to add to that?

Yah for sure! It's changed a lot. Basically, I wanted to incorporate more text in my work and try something that was simpler visually but had more "instruction" in it. Words take up a lot of space in the brain. You put down words and they just hang there in the mind in a way visuals don't. It adds a layer of metaphor but also decreases the interpretive process so I'm really careful about how I'm putting it down and what I'm using. I want to be really clear about what I have to say since I don't use many words at all. There is a lot of art with "text" and "fonts" in it and I'm not really into that "words for words sake." I really want to be clear about it. It's hard!!! I'll have the visual done and it'll take days and days to figure out what the words are going to be. It's changing all the time. I'm hoping to have more "comic" elements in it but so far the ones I have done only have 2 panels! It's more of a serious of vignettes, all from the same world. I like where it's going right now. The meditation method is interesting... you know I get these hallucinations and this is a way of bringing a certain feeling or attitude to the work. I know when I'm done something if it's REALLY good to me: it has to feel right. It has to give me that wonder that makes me feel like I'm reaching through time or space. The method is about focusing on something and trying to become nostalgic about it like it exists only in memory even though it's right in front of you. It's really hard. I've only really "done it" once or twice for sure... it's an odd experience.

More importantly, can you guesstimate how long it’ll take to complete?

I'm hoping to have it done this summer. I'm about 15 pages into it... doesn't seem like a lot! I'm throwing a lot out. I mean, not literally, but I won’t be using them. I got some new sculptures on the horizon; hopefully they'll be in there, too. I'm still thinking about format and size and all of that.

So that's pretty much it for now. Good luck with the launch and please keep up the good work.




You can check out Chris von Szombathy's website here and you can buy Fire Away from your local retailer.

Posted by Jessica Campbell at 2:46 PM
 

365 Reasons To Read Julie's New Book


Since I started at D+Q four years ago, the one question I am asked again and again is "Did Julie Doucet really quit comics?" (Runner-up question, "When is the next issue of Peepshow?) For all of you player haters who have lamented this fact like a jilted lover, but have inexplicably not read her new book 365 Days yet, here are a couple more reasons to get her new book and celebrate what she told Walrus Magazine last month "I need to write in a visual way... for example, with cut-out words. Writing is what I am all about."

1. The CBC presents a slide show of Julie's career written by Toronto comics journalist Guy Leshinski. "The book is honest and intimate, and very funny, as her comics were. It's a portrait of who she once was, and who, after all, she still is."

2. Time Out New York has a review this week where Hillary Chute concludes "Funny and unpretentious, Doucet is snappy and irritable and optimistic--often all at once."

3. The Hipster Book Club of LA states: "Her combination of naivete, insecurity and self-awareness make 365 Days incredibly compelling."

4. Our favorite pop culture blogger Whitney Matheson of USA Today Pop Candy gave this shout-out: "I'm infatuated with Julie Doucet's new book, 365 Days: A Diary. This comic diary is so inspiring that I've kept it in my purse so I can devour it on the go."

5. The print edition of Entertainment Weekly gave the book an A- and said "Days is cunningly crammed with ideas that range from the stress of designing rock-album art to anger about U.S. involvement in Iraq."

6. The Daily Crosshatch notes: "As a biographical work, 365 Days succeeds quite well, with an immediacy that strips down the boundaries that many authors often construct to distance themselves from their work, either the result of elapsed time or something more artificial designed to absorb some of the emotional immediacy."

7. And Alan Brisbort, the lone comic reviewer in the entire state of Connecticut, blogs for the Hartford Advocate states: "Julie Doucet fills every teensy corner of every page with oddities-squiggles, cut out letters (like a kidnapper's ransom note), marginal doodles, provocative collages, fortune cookie fortunes."

8. And the National Post of Canada tries to describe just what 365 Days is: "The book is a hybrid creature: part dream-diary, part daybook, part travelogue, rendered in illustration, words and collage."

Posted by Peggy Burns at 9:19 AM
Thursday, February 07, 2008
 

Paul has a party

Photos from our Paul Goes Fishing launch at the D+Q Librairie here.

Posted by Peggy Burns at 7:33 PM
 

Eustace Tillarobama

Seth has the cover of The New Yorker this week and I wanted to let you all know but could only capture an animated GIF from the website and couldn't figure out how to post. A quick email to Seth and I got this beauty instead--his original color sketch! {Click to flip and see a bigger version.}


Posted by Peggy Burns at 12:49 PM
Wednesday, February 06, 2008
 

My Second Favorite Day of the Week

Lynda's Near Sighted Monkey






Posted by Peggy Burns at 11:55 AM
 

Gotta Make The Donuts

This blog post says we're the only store open in Mile End on Mondays, I believe we are the only store to host weekend afternoon "in-stores" as well. We try to keep this blog strictly D+Q, and the 211 blog strictly for the store, but for all you who have yet to bookmark the 211 blog, do so now, as we have a new event calendar listing all of our music events (and book and workshops). Up for February, Hi, Lonely Oak on 2/10, Glaciers on 2/17, and the Handsome Furs on 2/24.

Posted by Peggy Burns at 11:42 AM
 

Y'know, the guy who wrote and drew Corduroy


A few weeks back Roy Freeman approached us about publishing a little seen work of Don Freeman (Ron's dad and creator of that lovable teddy bear with the green overalls) called Skitzy. He popped the original art into the mail and a big box of drawings from over 50 years ago landed on my desk. As you can see there's tape and whiteout and paste ups all browned and tattered with age. It's glorious! And the real treat is a hand-painted poster (above) for the project that Roy didn't even know about until he was packing the art up. So here's a sneak peek as the artwork looks now and prepare to see a cleaned up version this fall.




Posted by Tom Devlin at 11:08 AM
Tuesday, February 05, 2008
 

Your what-the-hell-is-going-on-here Moomin moment!


Posted by Tom Devlin at 10:45 AM
 

My Favorite Day of the Week



Archived here.

Posted by Peggy Burns at 10:36 AM
Monday, February 04, 2008
 

Who else has done one?

Boy, this series keeps getting better and better. I just wish I could find a complete listing of all the cartoonists doing covers. The above by is by Sammy Harkham. Did I mention that Crickets #2 should in stores this week or next?

Posted by Tom Devlin at 11:37 AM
Friday, February 01, 2008
 

Paul Goes Fishing launch at D+Q store


His first published comic earned him a Best New Talent Harvey Award in 2001 and in 2006 he won a Doug Wright Award for his last book. Join Michel Rabagliati as he launches and signs his new book, Paul Goes Fishing, at the D+Q store in Montreal this Wednesday, February 6th at 7:00 pm. (For this event only Paul Goes Fishing will be sold at a 10% discount.) This week's Montreal Mirror has a mention of Michel and the event.

Posted by Chris Oliveros at 4:35 PM
 

New Julie Doucet website


Her diary has just been published and now Julie Doucet has just launched her own website. It's one of the best artist sites that I've ever seen (make sure you've got your volume turned up when you scroll over the home page). Aside from being well designed in both form and function, it's packed with all sorts of information on Julie, including what appears to be a near complete bibliography of her books, a biography (including a snapshot of her birth certificate and adorable childhood photos), lists of exhibitions, artwork for sale, and so on (it looks like more features will be added over time).

And speaking of artwork, make sure you browse through the Julie Doucet prints we have for sale (until February 14th only). Each purchase of artwork comes with a free copy of 365 Days.

Posted by Chris Oliveros at 8:55 AM
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