6 x 8.5
96 Pgs
$19.95 CAD/$16.95 USD

Tom Gauld’s debut graphic novel retelling of a classic myth, now in paperback

Since the 2011 release of Goliath, Tom Gauld has solidified himself as one of the world’s most revered and critically-acclaimed cartoonists working today. From his weekly strips in the Guardian and New Scientist, to his lauded graphic novels You're All Just Jealous of My Jetpack and Mooncop, Gauld’s fascination with the intersection between history, literary criticism, and pop culture has become the crux of his work.

Now in paperback, with a new cover and smaller size, Goliath is a retelling of the classic myth, this time from Goliath's side of the Valley of Elah. Goliath of Gath isn't much of a fighter. He would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: "Choose a man. Let him come to me that we may fight."

Quiet moments in Goliath's life as an isolated soldier are accentuated by Gauld's trademark drawing style: minimalist scenery, geometric humans, and densely crosshatched detail. Simultaneously tragic and bleakly funny, Goliath displays a sensitive wit and a bold line--a traditional narrative reworked, remade, and revolutionized into a classic tale of Gauld’s very own.

Praise for Goliath

Quick to read but easy to consider and reconsider, the humor and pathos in Goliath’s worldview requires longer thought... An eminently discussable graphic novel.

School Library Journal

Gauld [uses] simple, clever visuals to explore the larger, more complicated issues of war and heroism.

New York Times

Gauld’s sparse style captures the encroaching ennui of Goliath beautifully…Gauld infuses a parable with new meaning for a modern world, with a helping of melancholy but sweet humour to boot.

The National Post

Gauld’s stripped-down drawings, all boulders and blank faces, are perfect for his bittersweet tale, and the book itself is a lovely addition to any shelf.


Working with cartoony figures, silhouettes, and finely cross-hatched close-ups, Gauld captures the bleakness of the landscape, and how what looks like an insignificant pebble from far away can become hugely important when it’s landing right between the hero’s eyes.

The AV Club
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