EXIT WOUNDS and SPENT in The St. Louis Post-Dispatch

EXIT WOUNDS:

"The narrative keeps taking surprising but believable turns, and Modan avoids both melodramatic confrontations and tidy resolutions..."

SPENT:

"Matt's work, because of his deceptively charming cartooning, looks innocent enough, but the story chronicles, with unflinching frankness, his addiction to pornography. In certain passages — an extended sequence in which three cartoonists gab at a restaurant — it can be argued that he's mimicking the numbing sameness of porno, but Matt's always funny and brilliantly self-aware."