Michael DeForge’s Leaving Richard’s Valley invites you in with its quirky style and zany characters—keeps you reading with unexpected turns, insights into city living, and subtle commentary on modern capitalism. “Do you ever get this feeling that living in a city is kind of like being at a party that’s gone on too long?” asks Paul the Spider, one of the many creatures that has joined Richard’s Valley, a health-obsessed cult that has turned its back on the “toxicity” (both metaphorical and literal) of the city and has made a home in a Toronto public park. Their leader, Richard, is vapid, enigmatic, and slowly growing bored of his followers and the life he has built for them. When a group of friends breaks Richard’s strict rules to save Lyle the Raccoon from a mysterious illness, they are exiled by Richard and his fanatical lackey, Caroline the Frog. Forced to make their way in a city plagued with cults and gentrification, the animal friends quest for a home, a community, and a purpose in their new world.
Michael DeForge’s simple, delightfully bizarre style opens the mind to new interpretations of faith, the hero’s journey, and the purpose of art in the modern world. Entirely black and white, this is a world in which spiders become masseuses and supermodels, snakes fall in love with raccoons, and butterflies interrupt the narrative to provide the history of fictional places. A witty and strange rumination on cult mentality, obsessive love, and city life, Leaving Richard’s Valley surprises the reader with each page.