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Hardcover
6.3 x 8.5
104 Pgs
SKU:
9781770460645
$21.95 CAD/USD

A lavish volume with all-new autobio comics

Continuing the new semiannual hardcover format for Palookaville in volume 21, Seth presents two very different autobiographical pieces, and the continuation of Part Four of the ongoing Clyde Fans serial.

In the latest dispatch from the beautifully crafted Clyde Fans, Abraham muses further on the ruins of his life. Then, in the first sustained sequence of the two Matchcard brothers, Abraham and Simon finally sit down together and begin to talk. “Nothing Lasts” is the first half of a sketchbook memoir about Seth’s childhood and adolescence in small-town Ontario. It is a wryly self-conscious, often moving, visit to the attic of Seth’s memories: from his first attempts at cartooning to the last time he kissed his mother good night, “Nothing Lasts” is a masterpiece of the graphic short story. Finally, the third section of Palookaville 21 consists of entries from the comic-strip diary Seth has been keeping for almost a decade. He employs a mixture of hand-drawn panels and rubber stamps of his own work to tell anecdotes about moments from his life. Nothing from this diary has ever been made public before.

This lushly designed collection of stories comprises an anthology of the different types of cartooning work Seth has done over his two-decade-long career.

Praise for Palookaville 21

Reading Seth, the great Canadian cartoonist who dresses and draws like a man out of time, is an act of ever-shifting reconciliation...Seth keeps sliding and eliding our feel for the past — which in turn challenges our perspective on the present. Missed kisses, or conversations unspoken, or paths untraceable, keep lapping back from our personal histories, beating against our assumptions of accumulated wisdom.

The Washington Post

Is it possible the artist has become even more of a grumpy old man in his older age? Even more uptight and restrained than he was when he was old before his time? Or is it the hallmark of maturity to be able to wring so much out of such simple building blocks? Equal parts infuriating and quietly beautiful, Palookaville.

Hillary Brown, Paste

Tinged with an undeniable melancholy, these are stories that capture that acute pain that comes from looking back at yourself, the mixture of pathos and helpless desire to change some of what you went through, not to make it better, but just to make it slightly less uncomfortable...but what emerges is a dual sense that we are formed unfortunately early as people and that the letting go that marks the passage from youth to adulthood is only the most memorable of an endless series of the same.

David Berry, National Post

Seth’s seemingly autobiographical stories drew immediate acclaim when he began Palookaville two decades ago. His heartbreakingly melancholy return to that mode shows how completely he has mastered his craft in the ensuing two decades.

Gordon Flagg, Booklist
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